
Wabi-sabi is a Japanese aesthetic centering on imperfection, impermanence, and incompleteness. I aspire toward attaining wabi-sabi-ness in my teaching practice because I spent waaaay too much time as a newb trying to reach teaching nirvana- that state where all those teachers in the movies got to…the stuff of legend and Hollywood contracts.
Jodie Foster was sure to play my part.
I don’t know when it happened, but at some point the romantic version of teaching gave way to the notion of it being an art and a craft- very boring stuff for feature films, but more worth the effort and more realistic when it came to me being a highly-fallible human being who could mess up and yet always see the lesson there.
As a clay potter, I saw the value of wabi-sabi…the beauty, really, of imperfection. To me it was about individuality and being human. Applied to teaching, it meant I was exactly where I needed to be, somewhere along the journey. It didn’t matter where and it didn’t matter if I ever reached that mythical peak. It just mattered that I saw imperfection as my teacher and embraced it as the gift it was.
Sure, at some point, I’ll have to retire and die, but impermanence and the acceptance of it is a part of it, too. I’m good with that. It’s a beautiful thing. It makes the here and now worth its weight.
This is a wabi-sabi blog because it will no doubt be a conduit for my reflecting on the imperfect, impermanent, and incomplete state of my teaching practice and my being, too.
Viva la wabi-sabi.
This is the start of what will most likely become an ever-changing framework used to reflect on my understanding of project-based learning using the monomyth (
